Jake Xerxes Fussell + Jennifer Castle

JAKE XERXES FUSSELL is a singer, guitarist and folk music interpreter who has distinguished himself as one of his generation's preeminent?interpreters of traditional (and not so traditional) "folk" songs, a practice which he approaches with a refreshingly unfussy lack of nostalgia. By recontextualizing ancient vernacular songs and sources of the American South, he allows them to breathe and speak for themselves and for himself; he alternately?inhabits them and allows them to inhabit him. In all his work, Fussell humanises his material with his own curatorial and interpretive gifts, unmooring stories and melodies from their specific eras and origins and setting them adrift in our own waterways. On his latest album, When I?m Called?his first LP for Fat Possum, and his first as a parent - Fussell returns to a well of music that holds lifelong sentimental meaning, loosely contemplating the passage of time and the procession of life?s unexpected offerings. The album was produced by James Elkington and mixed by Tucker Martine. In addition to Elkington, it features the playing of Ben Whiteley (The Weather Station) and Joe Westerlund (Bon Iver, Califone). Blake Mills contributes guitars on several tracks. Joan Shelley and Robin Holcomb provide backing vocals. https://www.jakexerxesfussell.com/ JENNIFER CASTLE?is a Canadian songwriter, musician, and poet. ?Camelot? (Paradise of Bachelors), Jennifer Castle?s extraordinary, moving 2024 chronicle of the artist in early middle age, charts a realer, more rooted, and more metaphorical place than the fabled Camelot of the Early Middle Ages (or its myriad depictions), but it too is a space more psychic than physical. In Castle?s Camelot, the fantastic interpenetrates the mundane, and the Grail, if there is one, distills everyday experience into art and art into faith, subliming terrestrial concerns into sublime celestial prayers to Mother Nature, and to the unfolding process of perfecting imperfection in one?s own nature. Co-produced by Jennifer and longtime collaborator?Jeff McMurrich, her seventh record is at once her most monumental and unguarded to date, demonstrating a mastery of rendering her verse and melodies alike with crisply poignant economy. For all their pointedly plainspoken lyrical detail and exhilarating full-band musical flourishes, these songs sound inevitable, eternal as morning devotions. https://www.jennifercastlemusic.com/music ?1 venue levy included in the ticket price